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Bibliography
A Further Study Of Melodic Channeling
(1979)
A Parallel Processing Solution To The Binding Problem, With Particular Reference To Hearing
(1998)
Accents In Equitone Sequences
(1981)
Ambiguous Musical Figures And Auditory Streaming
(1982)
An Auditory Illusion
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An Experimental Study Of Auditory Patterns
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Aperiodicity In Bowed String Motion
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Aperiodicity In Bowed String Motion: On The Differential-slipping Mechanism
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Auditory Continuity And Amplitude Edges
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Auditory Function: Neurobiological Bases Of Hearing
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Auditory Grouping Based On Fundamental Frequency And Formant Peak Frequency
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Auditory Illusions And Their Relation To Mechanisms Normally Enhancing Accuracy Of Perception
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Auditory Illusions, Handedness, And The Spatial Environment
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Auditory Induction: Perceptual Synthesis Of Absent Sounds
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Auditory Paradox Based On Fractal Waveform
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Auditory Scene Analysis: The Perceptual Organization Of Sound
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Auditory Segregation Of Competing Voices: Absence Of Effects Of Fm And Am Coherence
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Auditory Sequence: Confusions Of Patterns Other Than Speech Or Music
(1969)
Auditory Stream Segregation And The Control Of Dissonance In Polyphonic Music
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Auditory Stream Segregation By Musical Timbre: Effects Of Static And Dynamic Acoustic Attributes
(1995)
Auditory Streaming And The Building Of Timbre
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Auditory Streaming And The Continuity Illusion
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Binaural Integration Of Melodic Patterns
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Cerebral Dominance In Sinistrals
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Circularity In Judgments Of Relative Pitch
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Circularity In Relative Pitch Judgments For Inharmonic Complex Tones: The Shepard Demonstration Revisited, Again
(1981)
Circularitè De Jugements De Hauteur Sonore
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Comments On Deutsch's Musical Scale Illusion
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Comparison Of The Effect Of Onset Asynchrony On Auditory Grouping In Pitch Matching And Vowel Identification
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Computer Synthesis Of The Singing Voice
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Crossing Of Auditory Streams
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Decoupling Of Auditory Pitch And Stimulus Frequency: The Shepard Demonstration Revisited
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Detection Of Temporal Gaps Within And Between Perceptual Tonal Groups
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Dichotic Listening To Melodic Patterns, And Its Relationship To Hemispheric Specialization Of Function
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Discriminating Between Coherent And Incoherent Frequency Modulation Of Complex Tones
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Discrimination Of The Order Of The Components Of Repeating Tent Sequences: Effects Of Frequency Separation And Extensive Practice
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Discrimination Of The Silent Gap In Two-tone Sequences Of Different Frequencies
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Dissecting The Brain With Sound
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Dreamsong: The Composition
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Dynamic Pitch Perception For Complex Tones Derived From Major Triads
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Dynamic Pitch Perception For Complex Tones Of Periodic Spectral Patterns
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Effect Of Element Composition On Streaming And The Ordering Of Repeating Sequences
(1977)
Effects Of Contralateral Presentation And Of Interaural Time Differences In Segregating A Harmonic From A Vowel
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Effects Of Onset Asynchrony And Of Mistuning On The Lateralization Of A Pure Tone Embedded In A Harmonic Complex
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Endlessly Ascending/descending Chords Performable On A Piano
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Fusion Of Simultaneous Tonal Glides: The Role Of Parallelness And Simple Frequency Relations
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Grouping In Pitch Perception: Effects Of Onset Asynchrony And Ear Of Presentation Of A Mistuned Component
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Grouping Of Vowel Harmonics By Frequency Modulation: Absence Of Effects On Phonemic Categorization
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Harmony And Nonharmonic Partials
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Hearing With The Third Ear: Dichotic Perception Of A Melody Without Monaural Familiarity Cues
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Helmholtz's Physiological Optics (translated From The 3rd German Ed
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Imperfect Periodicity In The Bowed String
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Intonation And The Perceptual Separation Of Simultaneous Voices
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L'effetto Tunnel Acustico
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Lateralization And Sequential Relationships In The Octave Illusion
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Lateralization By Frequency For Repeating Sequences Of Dichotic 400-hz And 800hz Tones
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Melodic Channeling In A Musical Environment
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Mistuning A Harmonic Of A Vowel: Grouping And Phase Effects On Vowel Quality
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Perceiving Vowels In The Presence Of Another Sound: Constraints On Formant Perception
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Pitch Control And Pitch Paradoxes Demonstrated With Computer-synthesized Sounds
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Pitch Proximity In The Grouping Of Simultaneous Tones
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Retracing One's Steps: An Overview Of Pitch Circularity And Shepard Tones In European Music, 1550~1990
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Rhythmic Groups And Subjective Chunks In Memory For Melodies
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Sifting Vowels: Auditory Pitch Analysis And Sound Segregation
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Sound Structure In Music
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Spectral Integration Based On Common Amplitude Modulation
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Speech, Analysis, Synthesis, And Perception
(1972)
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The Relation Between Gap Discrimination And Auditory Stream Segregation
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The Sound Of Silence: A New Pitch Segregation Phenomenon
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(1986)
Timbre And Auditory Streaming
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Two-channel Listening To Musical Scales
(1975)
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~ber Den Einfluss Eines Einfachechos Auf Die H~rsamkeit Von Sprache
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  Accents In Equitone Sequences                                                             (1981)
  An Auditory Illusion                                                             (1974)
  Auditory Grouping Based On Fundamental Frequency And Formant Peak Frequency                                                             (1990)
  Auditory Streaming And The Continuity Illusion                                                             (1990)
  Binaural Integration Of Melodic Patterns                                                             (1979)
  Circularity In Relative Pitch Judgments For Inharmonic Complex Tones: The Shepard Demonstration Revisited, Again                                                             (1981)
  Dichotic Listening To Melodic Patterns, And Its Relationship To Hemispheric Specialization Of Function                                                             (1985)
  Effects Of Contralateral Presentation And Of Interaural Time Differences In Segregating A Harmonic From A Vowel                                                             (1995)
  Grouping Of Vowel Harmonics By Frequency Modulation: Absence Of Effects On Phonemic Categorization                                                             (1986)
  Perceived Auditory Continuity With Alternately Rising And Falling Frequency Transitions                                                             (1976)
  Separate `what' And `where' Decision Mechanisms In Processing A Dichotic Tonal Sequence                                                             (1976)
  The Intelligibility Of Interrupted Speech                                                             (1950)
  The Octave Illusion In Relation To Handedness And Familial Handedness Background                                                             (1983)
  The Processing Of Structured And Unstructured Tonal Sequences                                                             (1980)
  Timbre Space As A Musical Control Structure                                                             (1979)
  Two-channel Listening To Musical Scales                                                             (1975)